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Corso's Marriage (2011)

by Thomas Oboe Lee

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1.
Should I get married? Should I be Good? 
 Astound the girl next door with my velvet suit and faustus hood? 
 Don't take her to movies but to cemeteries tell all about werewolf bathtubs and forked clarinets then desire her and kiss her and all the preliminaries 
 and she going just so far and I understanding why 
 not getting angry saying You must feel! It's beautiful to feel! Instead take her in my arms lean against an old crooked tombstone and woo her the entire night the constellations in the sky--

 When she introduces me to her parents 
 back straightened, hair finally combed, strangled by a tie, should I sit knees together on their 3rd degree sofa and not ask Where's the bathroom? 
 How else to feel other than I am, 
 often thinking Flash Gordon soap-- 
 O how terrible it must be for a young man seated before a family and the family thinking 
 We never saw him before! He wants our Mary Lou! 
 After tea and homemade cookies they ask What do you do for a living? Should I tell them? Would they like me then? 
 Say All right get married, we're losing a daughter 
 but we're gaining a son-- 
 And should I then ask Where's the bathroom?


2.
O God, and the wedding! All her family and her friends 
 and only a handful of mine all scroungy and bearded just waiting to get at the drinks and food-- 
 And the priest! he looking at me as if I masturbated 
 asking me Do you take this woman for your lawful wedded wife? 
 And I trembling what to say say Pie Glue! 
 I kiss the bride all those corny men slapping me on the back 
 She's all yours, boy! Ha-ha-ha! 
 And in their eyes you could see some obscene honeymoon going on— then all that absurd rice and clanky cans and shoes 
 Niagara Falls! Hordes of us! Husbands! Wives! Flowers! Chocolates! 
 All streaming into cozy hotels 
 All going to do the same thing tonight 
 The indifferent clerk he knowing what was going to happen The lobby zombies they knowing what 
 The whistling elevator man he knowing 
 The winking bellboy knowing 
 Everybody knowing! I'd be almost inclined not to do anything! 
 Stay up all night! Stare that hotel clerk in the eye! 
 Screaming: I deny honeymoon! I deny honeymoon! running rampant into those almost climatic suites yelling Radio belly! Cat shovel! O I'd live in Niagara forever! in a dark cave beneath the Falls 
 I'd sit there the Mad Honeymooner devising ways to break marriages, a scourge of bigamy a saint of divorce--

 But I should get married I should be good.
3.
How nice it'd be to come home to her and sit by the fireplace and she in the kitchen 
 aproned young and lovely wanting my baby 
 and so happy about me she burns the roast beef 
 and comes crying to me and I get up from my big papa chair 
 saying Christmas teeth! Radiant brains! Apple deaf! 
 God what a husband I'd make! Yes, I should get married! 

4.
Yet if I should get married and it's Connecticut and snow 
 and she gives birth to a child and I am sleepless, worn, 
 up for nights, head bowed against a quiet window, the past behind me, finding myself in the most common of situations a trembling man 
 knowledged with responsibility O what would that be like! 
 Surely I'd give it for a nipple a rubber Tacitus 
 For a rattle a bag of broken Bach records 
 Tack Della Francesca all over its crib 
 Sew the Greek alphabet on its bib 
 And build for its playpen a roofless Parthenon

 No, I doubt I'd be that kind of father 
 not rural not snow no quiet window 
 but hot smelly New York City 
 seven flights up, roaches and rats in the walls 
 a fat Reichian wife screeching over potatoes Get a job! And five nose running brats in love with Batman And the neighbors all toothless and dry haired 
 like those hag masses of the 18th century 
all wanting to come in and watch TV 
 [And] the landlord wants his rent 
 Grocery store Blue Cross Gas & Electric Knights of Columbus 
 Impossible to lie back and dream Telephone snow, ghost parking-- 
 No! I should not get married and I should never get married! 
 But--imagine if I were to marry a beautiful sophisticated woman 
 tall and pale wearing an elegant black dress and long black gloves 
 holding a cigarette holder in one hand and highball in the other 
 and we lived high up a penthouse with a huge window from which we could see all of New York and even farther on clearer days 
 No I can't imagine myself married to that pleasant prison dream—
5.
O but what about love? I forget love 
 not that I am incapable of love it's just that I see love as odd as wearing shoes— I never wanted to marry a girl who was like my mother 
 And Ingrid Bergman was always impossible 
 And there’s maybe a girl now but she's already married 
 And I don't like men and-- 
 But there's got to be somebody! 
 Because what if I'm 60 years old and not married, 
 all alone in furnished room with pee stains on my underwear 
 and everybody else is married! All in the universe married but me!

 Ah, yet well I know that were a woman possible as I am possible 
 then marriage would be possible-- 
 Like SHE in her lonely alien gaud waiting her Egyptian lover 
 so I wait--bereft of 2,000 years and the bath of life.

credits

released June 12, 2012

Tim Krol, baritone
Holly Chatham, piano

Music by Thomas Oboe Lee
Poems by Gregory Corso (1874 - 1925)

© Departed Feathers Music, Inc. - BMI - 2011

Kamilo Kratc, sound engineer and editor
Soundworks Recording Studio, LLC

Photo credit: Thomas Oboe Lee

YouTube link: youtu.be/RcZVlMetxzc

Poem by Gregory Corso
Used with permission of New Directions Publishing Corp.

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Thomas Oboe Lee Cambridge, Massachusetts

Thomas Oboe Lee was born in China in 1945. He lived in São Paulo, Brazil, for six years before coming to the United States in 1966. After graduating from the University of Pittsburgh, he studied composition at the New England Conservatory and Harvard University. He has been a member of the music faculty at Boston College since 1990. ... more

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